Playpen Sans Arabic
Designed by TypeTogether, Azza Alameddine, Laura Meseguer, Veronika Burian, José Scaglione
8 weights • Version 8 • On Google Fonts since 2025 • Popularity #1492
Quick Summary
8
Styles
100-800
Weight Range
1
Variable axis
5
Languages / Subsets
© 2023 The Playpen Sans Project Authors
The quick brown fox
About Playpen Sans Arabic Fonts
Playpen Sans Arabic was designed by TypeTogether after over two years of primary research into handwriting education for Latin-based languages, available at primarium.info.
Playpen Sans Arabic is a variable font with a weight range from Thin (100) to ExtraBold (800). It supports two different writing systems: Arabic and Latin, covering 6 Arabic-based languages and over 332 Latin-based ones, along with a set of “reward icons” as emoji. The superfamily also includes a Pan-African Latin, Greek, Cyrillic (Playpen Sans), Devanagari (Playpen Sans Deva), Hebrew (Playpen Sans Hebrew), and Thai (Playpen Sans Thai) fonts that expand the language support of the system.
It has alternate glyphs for each character that are automatically applied as you type, with a built-in shuffler that both ensures variety and avoids repetition. This adds to the overall organic, spontaneous, and authentic feel of the handwritten style.
To contribute, see github.com/TypeTogether/Playpen-Sans
Arabic
Playpen Sans Arabic follows the same fun and relaxed aesthetic as its Latin counterpart, maintaining a cohesive and playful handwriting style across writing systems. Designed with the same tools and writing hand, it seamlessly integrates with the overall design philosophy of the font family. The Arabic writing system features variations in letter shapes and subtle shifts in the positioning of diacritic marks, enhancing its organic and spontaneous feel. Additionally, it includes Ruqʿah alternates, offering further stylistic flexibility while preserving the authentic, handwritten charm that defines Playpen Sans.
A casual handwriting font
Some typefaces excel at just one thing, while others do multiple things well. Playpen Sans stands out by perfectly imitating casual handwriting, blending the organic feel of something made by hand with the precision of a professional digital typeface. Handwritten text is naturally inconsistent, but digital fonts aim for uniformity. Playpen Sans bridges this gap by offering a set of characters that are “the same, but different,” creating an authentic and human-like appearance within the constraints of digital design. It has a set of clear letterforms that are easy to write and recognize. The design forms a bridge between handwritten and typographic letters, friendly to both little readers and adults.
To achieve this, Playpen Sans includes multiple versions of each character and a built-in shuffler, ensuring no two shapes repeat too closely. This results in text that feels spontaneous, fun, and organic, while maintaining the functionality of a modern typeface. Designed with non-designers in mind, it shines in informal settings like greeting cards, invitations, children’s books, and graphic novels. Its clarifying features, such as straight and curved endings for certain letters and optional shapes, add to its versatility.
Playpen Sans combines the best of both worlds: the aesthetic charm of handwritten text and the technological capabilities of a digital font. It’s spontaneous, authentic, and effortlessly bridges the gap between the organic and the digital.
Emojis
Playpen Sans has emojis for breezy and encouraging uses, that each match the eight named weights of the Latin. Find here the list of all the emojis available. You can copy and paste them into your document editor when using the font. 😉
🌞 😍 ☠ ☹ 😉 ✏ 📖 🏠 ✍ 🧩 🦖 🪐 ✈ 🌠 🎂 🎨 📣 👆 👍 👎 🎯 🪫 ✅ ❌ 🏅 🦄
Who Designed Playpen Sans Arabic?

TypeTogether
TypeTogether is an independent type foundry committed to excellence in type design with a focus on editorial use. Known for the popular typefaces Adelle and Bree, TypeTogether also creates custom type designs for corporate use, including their work for Google Play Books, Clarín, and Apple.

Azza Alameddine
Azza has been working as a graphic designer for 17 years in Lebanon and the UK; and as a type designer for 10 years. She holds a BA in visual communication from Créapole, Paris, and a Masters in Typeface Design from the University of Reading. She is interested in typefaces from a cultural point of view and the feelings they convey to people who can read them and to those who can't. Her goal is to bring more awareness to graphic and type designers in the Middle East about the added value of good typography in visual communication.

Laura Meseguer
Laura is a freelance graphic and type designer based in Barcelona. She is specialised in all sorts of projects involving custom lettering and type design for branding and publishing design.

Veronika Burian
Veronika is a co-founder of the international indie foundry TypeTogether. She is one of the organisers of the alphabettes.org mentorship program, chairwoman of the GRANSHAN project, and organiser of TypeTech MeetUp.

José Scaglione
José is a typeface designer, lecturer, and author specialising in typography. He co-founded the TypeTogether font foundry with Veronika Burian, where they have published numerous award-winning type families.
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