Nunito
Designed by Vernon Adams, Cyreal, Jacques Le Bailly
8 weights • Version 32 • On Google Fonts since 2012 • Popularity #16
Quick Summary
16
Styles · incl. italic
200-900
Weight Range
1
Variable axis
5
Languages / Subsets
© 2014 The Nunito Project Authors
The quick brown fox
About Nunito Fonts
Nunito is a well balanced sans serif typeface superfamily, with 2 versions: The project began with Nunito, created by Vernon Adams as a rounded terminal sans serif for display typography. Jacques Le Bailly extended it to a full set of weights, and an accompanying regular non-rounded terminal version, Nunito Sans.
To contribute, see github.com/googlefonts/nunito.
Who Designed Nunito?
Vernon Adams
Vernon practiced typeface design professionally from 2007 to 2014. A lifelong artist, during this period he eagerly explored designing type for the mobile/cloud era of computing. His work spans all genres, from lively script faces to workhorse text families and operating system UI. Vernon graduated with an MA in Typeface Design from the University of Reading (UK) in 2006, and passed away in California in 2014. Almost all his typefaces live on as open source Google Fonts, and his favorite projects were Oxygen Mono, Monda, and Bowlby One. Follow his story at sansoxygen.com
Cyreal
Cyreal is a foundry deeply rooted in the open-source movement. Founded in 2010, the collective has expanded popular typefaces like Nunito, Rubik, and Raleway with Cyrillic support, among other works. Its original releases, including Lora, Prata, and Alice, have become a quiet staple in digital and print design, widely appearing across websites, apps, and editorial layouts.
Jacques Le Bailly
"Baron von Fonthausen, distinctive type design with a twist." Jacques Le Bailly has a broad international experience in the field of type design and a background in graphic design, corporate design, typography and teaching. He specialized in (large) type design projects. Beside developing personal type families, he works for and in cooperation with high profile clients.
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