Diplomata
Designed by Eduardo Tunni
1 weights • Version 33 • On Google Fonts since 2012 • Popularity #1530
Quick Summary
1
Styles
400-400
Weight Range
Static
Not variable
2
Languages / Subsets
© 2011 The Diplomata Project Authors , with Reserved Font Name "Diplomata"
The quick brown fox
About Diplomata Fonts
Diplomata started several years ago when a friend in the printing industry who had an old metal typeface wanted it to be digitalized for offset printing. He brought everything the original type offered as a start, a set of upper case characters, numbers, and some punctuation marks.
But what he brought in printed form was not enough to meet his needs, and letterforms that did not exist had to be created. It is a fine job to reinterpret a design, to make decisions on what already exists and also have in mind the changes needed for the new technological context where Diplomata will be used.
Its style, similar to Bodoni, has a remarkable degree of horizontal expansion; a weight which indicates verticality; areas between serif and stem softened by a curve connecting them, and the light in the main stroke of each glyph is a detail that lightens up and gives prominence to Diplomata. It is a distinct typeface, ideal for composing headlines and small prestigious pieces of text.
The February 2023 update features a bigger glyphset, fractions and some minor aesthetic modifications.
To improve and expand the use of Diplomata, it was necessary to create small caps and a lower case, which ended up constituting this family that has two variables today.
To contribute, see github.com/etunni/diplomata.
Who Designed Diplomata?

Eduardo Tunni
Eduardo Tunni was born in Buenos Aires, Argentina, in 1963. He studied graphic design at the University of Buenos Aires (UBA) and later specialized in typographic design. He co-founded the type foundry "Tipo" and some of his published there fonts were exhibited, selected and awarded around the world. For 10 years he was a teacher of the Master Career of Type Design at the UBA where he continues as external consultant. He made multilingual custom fonts for magazines, newspapers, universities, companies and countries with the collaboration of other colleagues. He has developed design methods that have been incorporated into the main typography design software that collaborates with typographic production.
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