Lalezar

Designed by Borna Izadpanah

1 weights • Version 16 • On Google Fonts since 2017 • Popularity #449

Quick Summary

1

Styles

400-400

Weight Range

Static

Not variable

4

Languages / Subsets

Category
sans-serif
Best for
display
Scripts
Arabic, Latin, Vietnamese
Origin
London, United Kingdom
License
SIL Open Font License
Last updated
Sep 16, 2025

© 2015 The Lalezar Project Authors

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The quick brown fox

32px
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About Lalezar Fonts

Lalezar is an Arabic and Latin display typeface for popular culture.

During the 1960s and 1970s a genre of filmmaking emerged in Iran which was commonly known as Film-Farsi. The main focus of the films produced in this period was on popular subjects such as romances, musicals and unrealistic heroic characters. The movie posters designed to represent these films were also intended to exaggerate these elements by the use of provocative imagery and a particular type of display lettering. These bold and dynamic letterforms were so popular and widely used that perhaps one can consider them the most significant component of film posters in that period.

Lalezar is an attempt to revive the appealing qualities in this genre of lettering and transform them into a modern Arabic display typeface and a suitable Latin companion. Although the main inspiration comes from a style of lettering that was used to represent the Persian language, here the objective is to design a typeface that can be used for most of the languages that use the Arabic script for their written communication.

The Lalezar project is led by Borna Izadpanah, a type designer based in London, UK. To contribute, see github.com/BornaIz/Lalezar

Who Designed Lalezar?

All designers

Borna Izadpanah is a Lecturer in Typography at the University of Reading, UK, from where he was also awarded a PhD, and an MA in Typeface Design. His doctoral research explored the history of the early typographic representation of the Persian language. Borna has received numerous prestigious awards for his research and typeface design, including the Grand Prize and the First Prize for Arabic Text Typeface in the Granshan Type Design Competition, a TDC Certificate of Typographic Excellence, and the Symposia Iranica Prize for the best paper in Art History.

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